the light stuff is probably swamp ash. I have never found any "normal" ash that is lightMolly wrote:Is that light? I've had ash guitars that were either boat anchors or light as. Never anything in between.ChAoZ wrote:Gluing up a couple of Ash body blanks
What's on your work bench?
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Re: What's on your work bench?
If Less is More Then Just Think How Much More More would be
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Re: What's on your work bench?
First headless build nearing completion
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Re: What's on your work bench?
Oh that's cool
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Re: What's on your work bench?
How does that get the different scale lengths per string if the bridge is normal and not angled? Do the fanned frets still "work"? I like the wandering fret markers - nice.ChAoZ wrote:First headless build nearing completion
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Re: What's on your work bench?
I haven't adjusted the intonation yet, I will post a pic when that is done - bass side needs to come back
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Re: What's on your work bench?
Before
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
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Re: What's on your work bench?
Looks great how does Totara and Rewarewa sound?ChAoZ wrote:Totara body, perfectly quartersawn Rewarewa neck, Towai fretboard, stainless vintage size frets,Martin style U channel truss-rod, Mexi Strat pickups - ceramic magnets removed and pole pieces replaced with AlNiCo 3 in the neck + middle and 5 in the bridge, toggle switches between neck and bridge with a push/pull pot to switch in the middle pickup giving some unique combinations, satin Wipe On Poly finish, started about 2 1/2 years ago - time to get this finishedLostininverness wrote:Details and more pics please!
Will add some more pics tomorrow - just need a fret level and a little more assembly
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Re: What's on your work bench?
Sounds very strat like, nice and bright and the switching gives a good range of tones, I'm normally a gain on 11 player but I keep picking it up and jamming some clean soundsVoxshall wrote:Looks great how does Totara and Rewarewa sound?ChAoZ wrote:Totara body, perfectly quartersawn Rewarewa neck, Towai fretboard, stainless vintage size frets,Martin style U channel truss-rod, Mexi Strat pickups - ceramic magnets removed and pole pieces replaced with AlNiCo 3 in the neck + middle and 5 in the bridge, toggle switches between neck and bridge with a push/pull pot to switch in the middle pickup giving some unique combinations, satin Wipe On Poly finish, started about 2 1/2 years ago - time to get this finishedLostininverness wrote:Details and more pics please!
Will add some more pics tomorrow - just need a fret level and a little more assembly
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Re: What's on your work bench?
Definitely better. You've got that transfer of radius's (?) on the bottom bout looking pretty good.Voxshall wrote:Before
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
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Re: What's on your work bench?
I just compared it to a close up of some of the guitars in the David Gilmour auction and see I need to round off the part next to the T in "stratocaster" I'm glad I took a photo so much easier to compare on screen.kdawg2a wrote:Definitely better. You've got that transfer of radius's (?) on the bottom bout looking pretty good.Voxshall wrote:Before
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
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Re: What's on your work bench?
I've never even noticed the difference in headstock shape.Voxshall wrote:Before
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
... and yeap, after seeing this, I'm convinced - definitely don't bother with a kemper!!!
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Re: What's on your work bench?
Should also add that it is loud acoustically and has excellent sustainVoxshall wrote:Looks great how does Totara and Rewarewa sound?
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Re: What's on your work bench?
That’s great to know, I tried my mates kauri strat and it sounded like what I imagined a mahogany strat might sound like.ChAoZ wrote:Should also add that it is loud acoustically and has excellent sustainVoxshall wrote:Looks great how does Totara and Rewarewa sound?
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Re: What's on your work bench?
Ha ha yeah there is a massive variation in the fender headstock shape, also a lot of variation in headstock thickness, thinner in the 50’s compared to 60’s. My girlfriend brought a can of tinted nitro to redo the headstock on her strat so I thought I’d use the opportunity to touch up one of mine at the same time.AiRdAd wrote:I've never even noticed the difference in headstock shape.Voxshall wrote:Before
After
What do you guys think of the shape I've sanded my headstock? It might look better once it's sprayed(the white edges make things hard to gauge) but let me know if it looks funny and why and I'll make the adjustments before spraying it.
... and yeap, after seeing this, I'm convinced - definitely don't bother with a kemper!!!