YouTube goodness
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- Litterick
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- meble-kuchenne.warszawa.pl
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- blackstratblues
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Re: YouTube goodness
We’ve reached Episode 18 of No Guitars Without Music with Nick Granville and myself. In this episode we discuss time based effects (delay, reverb & chorus) with sound examples of some of our favourite settings. Featuring MrGlyn’s Pickups Black Sand P90s.
- jeremyb
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- blackstratblues
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- Slowy
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Re: YouTube goodness
18?!!! I never knew. Subscribed.blackstratblues wrote: ↑Tue Jul 02, 2024 9:12 am We’ve reached Episode 18 of No Guitars Without Music with Nick Granville and myself. In this episode we discuss time based effects (delay, reverb & chorus) with sound examples of some of our favourite settings. Featuring MrGlyn’s Pickups Black Sand P90s.
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- Bg
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Re: YouTube goodness
yeah subscribed too... and commented, bloody homeless harp players
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- jeremyb
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Re: YouTube goodness
What surprises me more is that you watched that and now want to emulate it
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- jeremyb
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- jeremyb
- Chorus of Organs
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- Joined: Sat Dec 06, 2008 9:03 am
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- jeremyb
- Chorus of Organs
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- Joined: Sat Dec 06, 2008 9:03 am
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- jeremyb
- Chorus of Organs
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- jeremyb
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- jeremyb
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Re: YouTube goodness
Weirdly I was thinking this morning how I should have grabbed a 6L6 Studio 10 back when the rockshop were clearing them for cheap... and now they release a new vintage inspired amp!
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- Dharmajester
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Re: YouTube goodness
Saw this band in it's various incarnations numerous times.
Vastly preferred Jerry Goodman's violin work over Ponty's but this rhythm section never failed to blow me away. Walden always generated so much excitement with his dynamic playing and the then 18 yr old Ralphe Armstrong could knock out crazy fast yet simultaneously intensely funky grooves.
Probably one of the oddest tracks they ever recorded, and quite funny how the vocalist keeps on singing despite being totally drowned out by the guitar / violin duel going on over the top.
Vastly preferred Jerry Goodman's violin work over Ponty's but this rhythm section never failed to blow me away. Walden always generated so much excitement with his dynamic playing and the then 18 yr old Ralphe Armstrong could knock out crazy fast yet simultaneously intensely funky grooves.
Probably one of the oddest tracks they ever recorded, and quite funny how the vocalist keeps on singing despite being totally drowned out by the guitar / violin duel going on over the top.
“The music business is a cruel and shallow money trench - a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side."
Hunter S. Thompson
Hunter S. Thompson