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Forum rules: ATTENTION! IF YOU DON'T HAVE 100 POSTS THEN DON'T POST FOR SALE THREADS. THIS IS NOT A FORUM WHERE YOU GET FREE SALES WITHOUT HAVING SOME INVOLVEMENT WITH THE COMMUNITY. IF YOU DON'T HAVE THE RIGHT NUMBER OF POSTS, DON'T BOTHER ASKING WHERE YOUR THREAD WENT. Cheers.
kdawg2a wrote:The Tokai looks really nice and i'm pretty sure it's a well made, nice sounding guitar.
It really is, as well made as many other Gibson Les Paul’s out there I’m sure
kdawg2a wrote:Why don't you just get a headstock overlay sticker with the 'right' words on it?
Thanks, appreciate the thought but that’s not really my thing. Not sure that would quell any GAS anyway
StratMatt wrote:Come on guys, everyone knows only a Gibson is good enough.
Haha, yeah for some people no doubt. I’ve always been of the opinion that if it sounds and feels good then it probably is. This particular guitar is on a par with the few other LP’s I’ve had irrespective of the headstock
Magic Johnson wasted the greatest porn name ever on a basketball career.
Mini Forklift Ⓥ wrote:That’s surprising, it’s actually pretty straightforward and intuitive. If I can use it anybody can.
Not difficult to operate at all, however there are a plethora of options and possibilities which I guess could be confusing for some people
I might have undersold myself; I'm perfectly capable of mastering it, but the time involved means not doing something else; like playing.
I'm trying to find an efficient way to audition 1,300 odd amp profiles in a system that only stores 999. I'll have to sacrifice some playing time to focus on the 'file management' side of playing.
I'm still doing that, especially since I bought the AustinBuddy Dream Rigs pack for the AX8. Ridiculous amount of rigs, blocks, presets, etc. I think, to truly appreciate and optimally utilise, gadgets like the Helix, Ax8, Kemper, etc, one really needs to invest a good amount of time tinkering.