NGD: Epiphone LPS-95L, Made in Japan.
Posted: Thu Jan 06, 2022 3:24 pm
After longer in the Auckland depot than it took to ship from Japan, this arrived today.
Fujigen- made, 2001 model. LPS = Les Paul Standard. 95 = 95,000 yen price tag. L = Left handed.
Nice and logical. I really like how some Japanese brands typically incorporate the price in the model number (same for Edwards if you're wondering) as that makes it much easier to navigate your way around the totem pole.
2 piece centre joined back, nice even grained piece of mahogany, 1 piece neck (apart from the wings but not sure that counts), has the Gibson headstock which only appears on models for the Japanese domestic market. It's got a very solid feel to it and is exceptionally well put together like all things Fujigen.
Tenon is very long:
Thick maple cap:
Gibson size truss rod:
All the hardware and electronics are Gotoh. The pickups are Gotoh PAF style and tbh they're decent enough with typical PAF specs with your ~8.5k and A5 magnets. It's a hard recipe to get wrong tbf. The pots etc are mini but Gotoh so they're actually decent quality and feel reassuring enough but should I feel the need I have a CTS/Switchcraft/Sprague setup looking for a home but for now they're perfectly adequate with a nice feel and predictable travel.
Behold:
Bridge pup. Nothing tremendously exciting but a fine performer nonetheless:
Got the ABR1 style bridge with the wire on there. G for Gotoh:
And here's how it is now sans pickguard, new nut since I play flipped, new pickups:
Overall guys I'm very impressed. I knew these guitars had a stellar reputation given their maker and pedigree and they've met those expectations. The woods, tightness, construction are right up there. The neck is slightly fatter than a 60s profile and there's definitely a good amount of meat on there to dig in and the exemplary fretwork certainly doesn't hurt on that front.
The finish is beautifully done. It's poly but it's thinner than most and luckily the colours are darker than the images posted on Ishibashi's site (where this came from), I didn't want a clownburst messing up the feng shui. Plus, plain tops are the best tops.
The inevitable This vs Gibson question.
I've had 3 Gibsons in my life and sold them all. The only Les Paul I kept is my 1990 Orville by Gibson LP Custom, which is also MIJ and also made at Fujigen. That thing's an absolute monster. I'd put this Epiphone right up against Gibson standards any day of the week tbh. It's easily on a par save for the electronics, the finish (which isn't nitro), and the polarising nibs but that feel in the hands and under the fingers is there. Electronics I can change, the finish is what it is, and nibs are bullshit anyway, but in terms of an instrument that just makes you want to actually play this thing hits the spot and all for about 1/3rd the price of anything from Gibson, but with QC and construction of a guitar worth much more and probably better than Gibson's efforts in that department.
I find myself sneaking looks when I go past the guitar room and even now it's pulling my eyeballs towards it like a magnet. I didn't mention the sound. It's very good. Big growly LP-ness.
They only made these from around 1998-2004 after which the Epiphone Elite line came into being (same guitars otherwise), but they have a dodgy looking headstock which I can't jive with, same reason I didn't buy a Heritage. It's not the label, it's the shape.
Big props to Ishibashi who packed it like it was the Mona Lisa and who got it out the door the same day. They also did a fret job and setup before it left the Tokyo store (in a SKB-56 case too). There's no dings or cracks and the headstock is still attached which is always nice.
Fujigen- made, 2001 model. LPS = Les Paul Standard. 95 = 95,000 yen price tag. L = Left handed.
Nice and logical. I really like how some Japanese brands typically incorporate the price in the model number (same for Edwards if you're wondering) as that makes it much easier to navigate your way around the totem pole.
2 piece centre joined back, nice even grained piece of mahogany, 1 piece neck (apart from the wings but not sure that counts), has the Gibson headstock which only appears on models for the Japanese domestic market. It's got a very solid feel to it and is exceptionally well put together like all things Fujigen.
Tenon is very long:
Thick maple cap:
Gibson size truss rod:
All the hardware and electronics are Gotoh. The pickups are Gotoh PAF style and tbh they're decent enough with typical PAF specs with your ~8.5k and A5 magnets. It's a hard recipe to get wrong tbf. The pots etc are mini but Gotoh so they're actually decent quality and feel reassuring enough but should I feel the need I have a CTS/Switchcraft/Sprague setup looking for a home but for now they're perfectly adequate with a nice feel and predictable travel.
Behold:
Bridge pup. Nothing tremendously exciting but a fine performer nonetheless:
Got the ABR1 style bridge with the wire on there. G for Gotoh:
And here's how it is now sans pickguard, new nut since I play flipped, new pickups:
Overall guys I'm very impressed. I knew these guitars had a stellar reputation given their maker and pedigree and they've met those expectations. The woods, tightness, construction are right up there. The neck is slightly fatter than a 60s profile and there's definitely a good amount of meat on there to dig in and the exemplary fretwork certainly doesn't hurt on that front.
The finish is beautifully done. It's poly but it's thinner than most and luckily the colours are darker than the images posted on Ishibashi's site (where this came from), I didn't want a clownburst messing up the feng shui. Plus, plain tops are the best tops.
The inevitable This vs Gibson question.
I've had 3 Gibsons in my life and sold them all. The only Les Paul I kept is my 1990 Orville by Gibson LP Custom, which is also MIJ and also made at Fujigen. That thing's an absolute monster. I'd put this Epiphone right up against Gibson standards any day of the week tbh. It's easily on a par save for the electronics, the finish (which isn't nitro), and the polarising nibs but that feel in the hands and under the fingers is there. Electronics I can change, the finish is what it is, and nibs are bullshit anyway, but in terms of an instrument that just makes you want to actually play this thing hits the spot and all for about 1/3rd the price of anything from Gibson, but with QC and construction of a guitar worth much more and probably better than Gibson's efforts in that department.
I find myself sneaking looks when I go past the guitar room and even now it's pulling my eyeballs towards it like a magnet. I didn't mention the sound. It's very good. Big growly LP-ness.
They only made these from around 1998-2004 after which the Epiphone Elite line came into being (same guitars otherwise), but they have a dodgy looking headstock which I can't jive with, same reason I didn't buy a Heritage. It's not the label, it's the shape.
Big props to Ishibashi who packed it like it was the Mona Lisa and who got it out the door the same day. They also did a fret job and setup before it left the Tokyo store (in a SKB-56 case too). There's no dings or cracks and the headstock is still attached which is always nice.