The amp line out goes to the HX Stomp which runs Reverb/Delay/Pitch 100% wet into the Valvestate power amp. This powers the outer two ADA cabs.
You can get some really lush sounds while retaining clarity, thanks to the centre dry cab. I doubt it would be appropriate for most gigs, but on a larger stage with a trio it would have room to shine. There’s something about the 3 signals mixing in the air that is just magical. Another advantage is you can be swimming in effects and the FOH engineer can have a drier guitar mix if the venue needs. Or vice versa. This also means the engineer needs to know the overall vibe of the material, which is sometimes a luxury