GrantB wrote: ↑Thu Jul 25, 2024 4:45 pm
Thanks to a nice chap I know I’m back to two ES-335’s.
Very different guitars.
Right is a Murphy Lab 64, and left is me ole ‘60.
The old guitar sounds like a Telecaster. Tight, bright and ready to rock.
Beautiful guitars there Grant.
I've always thought that every guitar player should have at least two 335 style guitars, that way there would be way more 335 style guitars in this world and they are magnificent beasts.
Molly had one of those CS 64s a while back that he brought along to a gearfest. It was a wonderful guitar to play. I wonder if that's the same one?
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
GrantB wrote: ↑Thu Jul 25, 2024 4:45 pm
Thanks to a nice chap I know I’m back to two ES-335’s.
Very different guitars.
Right is a Murphy Lab 64, and left is me ole ‘60.
The old guitar sounds like a Telecaster. Tight, bright and ready to rock.
Good to see the old girl again. She owes you her life.
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
kdawg2a wrote: ↑Fri Jul 26, 2024 1:37 am
Beautiful guitars there Grant.
I've always thought that every guitar player should have at least two 335 style guitars, that way there would be way more 335 style guitars in this world and they are magnificent beasts.
I doubt I'll ever have the budget but my Eastman T486 has convinced me that a 335 journey would be something I'd love to do.
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
GrantB wrote: ↑Thu Jul 25, 2024 4:45 pm
Thanks to a nice chap I know I’m back to two ES-335’s.
Very different guitars.
Right is a Murphy Lab 64, and left is me ole ‘60.
The old guitar sounds like a Telecaster. Tight, bright and ready to rock.
Good to see the old girl again. She owes you her life.
It’s amazing that I have it again. Thank you MrDINO for the contribution you made, although unintended!
"Man is the most insane species. He worships an invisible god and destroys a visible nature. Unaware that this nature he's destroying is this god he's worshipping." - Hubert Reeves
GrantB wrote: ↑Thu Jul 25, 2024 4:45 pm
Thanks to a nice chap I know I’m back to two ES-335’s.
Very different guitars.
Right is a Murphy Lab 64, and left is me ole ‘60.
The old guitar sounds like a Telecaster. Tight, bright and ready to rock.
Good to see the old girl again. She owes you her life.
Yeah, I was kind of worried that one had moved on. I know that it's existence, providence, ownership, loving restoration, playing life and inheritance has absolutely nothing to do with me. It's just so awesomely nice to know it's in NZ.
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
kdawg2a wrote: ↑Fri Jul 26, 2024 1:37 am
Beautiful guitars there Grant.
I've always thought that every guitar player should have at least two 335 style guitars, that way there would be way more 335 style guitars in this world and they are magnificent beasts.
I doubt I'll ever have the budget but my Eastman T486 has convinced me that a 335 journey would be something I'd love to do.
They by no means need to be expensive guitars and as soon as I'm near better internet I'll post photos to prove my point!
I bought an Epiphone 1962 50th anniversary reissue Tremotone Sheraton in (who'd have guessed?) 2012 and it's just the best, most prettiest thing.
Lots of gold and binding and inlays and Gibson mini humbuckers.
There's not many of them and they should be worth a lot but they're not and they're just wonderful.
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
Picked up this Kramer Baretta Special today, as a bit of a project but also on a big EVH vibe at the moment... it plays way too good for the $399 RRP, they had another one in the shop which was white but weighed a ton more, this is really nice and light, looking forward to jamming some 80s stuff on it
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jeremyb wrote: ↑Fri Sep 27, 2024 2:20 pm
Picked up this Kramer Baretta Special today, as a bit of a project but also on a big EVH vibe at the moment... it plays way too good for the $399 RRP, they had another one in the shop which was white but weighed a ton more, this is really nice and light, looking forward to jamming some 80s stuff on it
I almost got the Floyd version in Cashies...went back, gone burgers. Superb necks...this will be the same.
"Man is the most insane species. He worships an invisible god and destroys a visible nature. Unaware that this nature he's destroying is this god he's worshipping." - Hubert Reeves
GrantB wrote: ↑Thu Jul 25, 2024 4:45 pm
Thanks to a nice chap I know I’m back to two ES-335’s.
Very different guitars.
Right is a Murphy Lab 64, and left is me ole ‘60.
The old guitar sounds like a Telecaster. Tight, bright and ready to rock.
Good to see the old girl again. She owes you her life.
Yeah, I was kind of worried that one had moved on. I know that it's existence, providence, ownership, loving restoration, playing life and inheritance has absolutely nothing to do with me. It's just so awesomely nice to know it's in NZ.
Agree completely. This is a late like. It takes resources and skills to care for something like this.
And we have a GrantB!
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
jeremyb wrote: ↑Fri Sep 27, 2024 2:20 pm
Picked up this Kramer Baretta Special today, as a bit of a project but also on a big EVH vibe at the moment... it plays way too good for the $399 RRP, they had another one in the shop which was white but weighed a ton more, this is really nice and light, looking forward to jamming some 80s stuff on it
I almost got the Floyd version in Cashies...went back, gone burgers. Superb necks...this will be the same.
I have a niggling but never addressed curiosity for Shred Sticks. Can't imagine how we'd get along but then again, I've never tried.
Suppose I'd have to get a Katana as well.....
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
jeremyb wrote: ↑Fri Sep 27, 2024 2:20 pm
Picked up this Kramer Baretta Special today, as a bit of a project but also on a big EVH vibe at the moment... it plays way too good for the $399 RRP, they had another one in the shop which was white but weighed a ton more, this is really nice and light, looking forward to jamming some 80s stuff on it
I almost got the Floyd version in Cashies...went back, gone burgers. Superb necks...this will be the same.
Yarrrr tis a great neck, going to do a floyd conversion on it at some stage, going to chuck some new strings on it, setup was really good, but the G string is making a rattle like noise at around the 10th fret, have had weird things like this before and it was just old strings...
Like Double Cuts. Got these 3. An Epi from Korea with SD Antiquities The Clown burst from 97. Its a 24 fret beaten to hell but ugly cool. And a 2019 Gibson that is the go to DC. Exellent low action and just a nice player. Show us ya DCs.
