handsoffmatt wrote:
For a long question, there's a real short answer.
Yes you can
NICE! That's awesome. Super excited to nerd out over it!
Given how you're gona be using it, I would TOTALLY recommend adding an external footswitch to the mix. FS-7 is a nice option that gives you the extra flexibility, but takes up VERY little real estate...
Thank you, that's a great idea. I'm keeping my Hotone Soul Press to be used as an expression pedal, so this looks like an additional set of FS footswitch assignments to use within the patch.
CHUR. Have already hounded Dave for NZ retail and dates haha. My pedalboard is already sold, so I'm ready and waiting!
xCaptainx wrote:Dave said August earlier today. Hoping that's early August, or early early August aka end of June cause I really want my hands on this asap haha.
It's looking very promising you should see it much earlier than August
"Volume is tone" - EVH
Electrics: ESP/Fender/Gibson/.strandberg*/Godin/Washburn/Music Man/Knaggs/Squier/Vintage
Acoustic: Cole Clark/Godin/Takamine/Taylor
Amps: BOSS Katana Head / Friedman Smallbox
xCaptainx wrote:Dave said August earlier today. Hoping that's early August, or early early August aka end of June cause I really want my hands on this asap haha.
It's looking very promising you should see it much earlier than August
Woooo!! As much as I love my huge pedal board its a PITA for weekly band practices
I haven't used any previous Boss GT multi FX series, but assuming these are all from the Boss GT-100 or there abouts.
Thanks Cap. I've had a few really nice Boss pedals over the years, I dont doubt for a minute the quality of the modulations and delay/verbs. Plenty of overdrives too. Hmmmm GAS...
I haven't used any previous Boss GT multi FX series, but assuming these are all from the Boss GT-100 or there abouts.
Thanks Cap. I've had a few really nice Boss pedals over the years, I dont doubt for a minute the quality of the modulations and delay/verbs. Plenty of overdrives too. Hmmmm GAS...
you should get down to a gearfest near you and see what they're like