Re: Line6 Heeeeeelix!
Posted: Wed Aug 03, 2016 8:48 pm
Wow thanks will try!
Great for using an actual amp AND a digital amp.stuu wrote:ive had mine since early Jan and still keep my patches VERY simple. Most complex thing i do now is splitting off a separate path the the 1/4' outs without the cab/IR so i have patches versatile enough to run into backline FX returns when needed.
This means i have to keep delays/verbs before the cab/IR... but that's no real drama.
I think i got that trick from Si actually, who does it to introduce another amp direct to FOH. Different application, same trick. GOOD TRICK.
The awesomeness of this can't be overstated.jeremyb wrote:Or to capture a DI track for re-amping
You can even do it with the HD500, dual amp path setup with no amp on one of the paths, and then you pan one hard left at the mixer, the other one hard right, works a treat!bender wrote:The awesomeness of this can't be overstated.jeremyb wrote:Or to capture a DI track for re-amping
You can even do it with an actual amp and any DI that has a thru!jeremyb wrote:You can even do it with the HD500, dual amp path setup with no amp on one of the paths, and then you pan one hard left at the mixer, the other one hard right, works a treat!bender wrote:The awesomeness of this can't be overstated.jeremyb wrote:Or to capture a DI track for re-amping
stuu wrote:Don't monitor from the headphone output. Such a huge difference, it's awful and IMO the only let down of the device.
Hopefully this gets dealt to now that snapshots and editor are off the backlog
I think this is the solution to the degradation i've experienced: if the PHONES monitor is set to multi by default then i'm getting a blend of two paths (with a cab/IR and on without) so would make sense that i'm getting all sorts of phase issues.SimpleSi wrote:Great for using an actual amp AND a digital amp.stuu wrote:ive had mine since early Jan and still keep my patches VERY simple. Most complex thing i do now is splitting off a separate path the the 1/4' outs without the cab/IR so i have patches versatile enough to run into backline FX returns when needed.
This means i have to keep delays/verbs before the cab/IR... but that's no real drama.
I think i got that trick from Si actually, who does it to introduce another amp direct to FOH. Different application, same trick. GOOD TRICK.
I have mine to the side of me, pointing across the stage, our other guitarist is usually doing the same so we get a decent mix of each other like thisStratMatt88 wrote:In a band situation where your going to FOH, where do you guys like to set your own monitor up? Behind you like a regular amp or in front of you like the singers monitors? How does the rest of the band get on as far as hearing your guitar?
Good to know, thanksjeremyb wrote:I have mine to the side of me, pointing across the stage, our other guitarist is usually doing the same so we get a decent mix of each other like thisStratMatt88 wrote:In a band situation where your going to FOH, where do you guys like to set your own monitor up? Behind you like a regular amp or in front of you like the singers monitors? How does the rest of the band get on as far as hearing your guitar?
I can never hear squat from the foldbacks so I tend to rely on stage volume
At the gig last Saturday I put my IRT-X in wedge position in front of me. I've never been happier with my ability to hear myself through the night.StratMatt88 wrote:Good to know, thanksjeremyb wrote:I have mine to the side of me, pointing across the stage, our other guitarist is usually doing the same so we get a decent mix of each other like thisStratMatt88 wrote:In a band situation where your going to FOH, where do you guys like to set your own monitor up? Behind you like a regular amp or in front of you like the singers monitors? How does the rest of the band get on as far as hearing your guitar?
I can never hear squat from the foldbacks so I tend to rely on stage volume
I know when I turn up to practise with a floor unit and a monitor the guys will be very sceptical indeed!