Art & Lutherie Ami Cedar Black
No other guitar felt like this one. Ones worth twice as much just didn't do it for me. The Canadians know how to make a nice acoustic!
L.R. Baggs Element Active System
Visual Sound H20 V3 Chorus/Delay
NGD & NPD
Moderators: Slowy, Capt. Black
- malevolentsparkle
- Ashton
- Posts: 295
- meble-kuchenne.warszawa.pl
- Joined: Sun Jul 10, 2005 11:58 am
- Location: Timaru
NGD & NPD
'71 Epiphone EA-250 (JP) or 84' Ibanez Roadstar II -> MXR Super Comp Compressor -> Ernie Ball VPjr -> Bluesberry Hotcake -> Visual Sound H2O V3 Chorus/Delay -> MXR Carbon Copy Analog Delay -> '68 Jansen Bassman 50 -> Carvin 2x12 Celestion Seventy80 Cab
- malevolentsparkle
- Ashton
- Posts: 295
- Joined: Sun Jul 10, 2005 11:58 am
- Location: Timaru
Re: NGD & NPD
I haven't had a lot of time to explore it but so far it is incredible!
'71 Epiphone EA-250 (JP) or 84' Ibanez Roadstar II -> MXR Super Comp Compressor -> Ernie Ball VPjr -> Bluesberry Hotcake -> Visual Sound H2O V3 Chorus/Delay -> MXR Carbon Copy Analog Delay -> '68 Jansen Bassman 50 -> Carvin 2x12 Celestion Seventy80 Cab
- Molly
- Vintage Post Junkie
- Posts: 24960
- Joined: Sat Dec 21, 2013 12:17 pm
- Has liked: 2488 times
- Been liked: 2799 times
Re: NGD & NPD
At first glance I thought that was a penis enlargement tool.. Not that I'd necessarily know exactly what one of those things looks like. I was just referring to the one in that Austin Powers film. Honest.malevolentsparkle wrote:
- Slowy
- Vintage Post Junkie
- Posts: 22794
- Joined: Wed Sep 09, 2009 4:13 pm
- Location: Orcland
- Has liked: 1018 times
- Been liked: 2483 times
Re: NGD & NPD
Those little A&L guitars are wonderful!
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
- malevolentsparkle
- Ashton
- Posts: 295
- Joined: Sun Jul 10, 2005 11:58 am
- Location: Timaru
Re: NGD & NPD
So far it appears to have a pretty soft finish, i think it will relic up in a very short time with use.
'71 Epiphone EA-250 (JP) or 84' Ibanez Roadstar II -> MXR Super Comp Compressor -> Ernie Ball VPjr -> Bluesberry Hotcake -> Visual Sound H2O V3 Chorus/Delay -> MXR Carbon Copy Analog Delay -> '68 Jansen Bassman 50 -> Carvin 2x12 Celestion Seventy80 Cab
- malevolentsparkle
- Ashton
- Posts: 295
- Joined: Sun Jul 10, 2005 11:58 am
- Location: Timaru
Re: NGD & NPD
So my verdict on the Chorus: The chorus side is amazing. So many sweet chorus and vibrato sounds. Can nail the overdone 80s chorus tone if you want but it can do so much more - faux leslie, grunge era chorus, crazy freakout sounds (but luckily you can avoid them easily if you leave the 'detune' knob off), subtle thickening, phasing. and i'm sure there is more in there that I haven't found yet.
The delay on the other hand is nothing to rave about. It is a hybrid digital/analog delay in that the delay line is digital but the dry signal and feedback circuit is analog. But it doesn't seem to have any analog filtering or modulation on the repeats so they are a bit sterile. It does a half decent faux reverb which is what i find myself using it for most of the time, sticking to my carbon copy for longer repeats. It doesn't have particularly long delay time either, the CC has more time on tap. So its useful as a second delay/reverb but I wouldn't want to have to use it as my main delay.
The delay on the other hand is nothing to rave about. It is a hybrid digital/analog delay in that the delay line is digital but the dry signal and feedback circuit is analog. But it doesn't seem to have any analog filtering or modulation on the repeats so they are a bit sterile. It does a half decent faux reverb which is what i find myself using it for most of the time, sticking to my carbon copy for longer repeats. It doesn't have particularly long delay time either, the CC has more time on tap. So its useful as a second delay/reverb but I wouldn't want to have to use it as my main delay.
'71 Epiphone EA-250 (JP) or 84' Ibanez Roadstar II -> MXR Super Comp Compressor -> Ernie Ball VPjr -> Bluesberry Hotcake -> Visual Sound H2O V3 Chorus/Delay -> MXR Carbon Copy Analog Delay -> '68 Jansen Bassman 50 -> Carvin 2x12 Celestion Seventy80 Cab