what do u follow through with after scales on ur warm up?
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- MaloS
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Sometimes - it all came about because of Chopin believe it or not. His Prelude no 9, which is normally played at funeral speed, makes a fabulous accoustic jazz piece if played about 4 times as fast as normal and with a few variants versions on an f hole - then suddenly slow down to the right speed for the last run through and it really cracks people up.
There's a similar piece that was done by the Comedian Dudley Moore years ago - he's banging away at the piano and screaming 'it is not right'. His housekeeper comes in, yells she cannot stand it any more and then you see her hang herself, with finally the suspended feet swaying across the screen in a regular time. He looks up, yells 'that's it' and starts playing the tune in time to the swinging feet and, of course, the tune turns out to be the funeral march.
There's a similar piece that was done by the Comedian Dudley Moore years ago - he's banging away at the piano and screaming 'it is not right'. His housekeeper comes in, yells she cannot stand it any more and then you see her hang herself, with finally the suspended feet swaying across the screen in a regular time. He looks up, yells 'that's it' and starts playing the tune in time to the swinging feet and, of course, the tune turns out to be the funeral march.
You can't do THAT on stage!
Warm up? I guess I probably should, but I never have been able to make myself hold off from just playing straight away. Recently I have found the lead guitar bit at the end of Bark at the Moon gets the fingers pretty warm pretty quick so I've been playing that quite a bit. So does the chorus bit from Cliffs of Dover - but that's harder
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- Zakk Wylde
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- Rog
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I guess it depends a lot on what genre one is playing. It seems that many of you are guitar virtuosos who play 64th notes and expect accuracy.
I don't. I play r'n'r and '70s rock. F'risntance, the first song on our list is normally a warm-up tone - Time is Tight (Booker T - think Blues Bros), so the guitar part is very easy and by the time the song is finished, I'm all warmed up.
I don't. I play r'n'r and '70s rock. F'risntance, the first song on our list is normally a warm-up tone - Time is Tight (Booker T - think Blues Bros), so the guitar part is very easy and by the time the song is finished, I'm all warmed up.
He hit a chord that rocked the spinet and disappeared into the infinite ...
yep. I guess the closest I get to a "warm-up" is avoiding the difficult stuff until my fingers are warmer and moving more freely.Gelato wrote:Yeah, I'm the same. Normally I launch into something difficult and get annoyed when I stuff it up. Eventually it comes right thoughTsuken wrote:Warm up? I guess I probably should, but I never have been able to make myself hold off from just playing straight away....
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@ash lol/RT "@ChelseaVPeretti Had fun in the Cinema Tent tonight w @adultswim @robcorddry #bonnaroo #fonz #hottubtimemachineintonationjokes #childrenshospital #mud #pee" //by @Jenesis
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Oh another thing I do for a warm up on accoustic steel string are the Doc Watsons style fiddle tunes/Irish/US melodies ie the old grey goose, Hornpipe, Scots rag, Coolley's reel, Blackberry Blossom etc. with a pick You start terribly, agonisingly slowly and try to speed up 50% each play through BUT more than 5 duff notes and it's back to the beginning. Then at the end of 5 mins 'bugger the accuracy' and as dementedly fast as possible 3 times through. Usually pretty warm and accurate by then.
You can't do THAT on stage!
- Zakk Wylde
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Interesting indeed, sounds like fun.B45-12 wrote:Oh another thing I do for a warm up on accoustic steel string are the Doc Watsons style fiddle tunes/Irish/US melodies ie the old grey goose, Hornpipe, Scots rag, Coolley's reel, Blackberry Blossom etc. with a pick You start terribly, agonisingly slowly and try to speed up 50% each play through BUT more than 5 duff notes and it's back to the beginning. Then at the end of 5 mins 'bugger the accuracy' and as dementedly fast as possible 3 times through. Usually pretty warm and accurate by then.
Are they the type of tunes that you can crank up the distortion, ad some tapping, some Pinched harmonics etc? Would be kinda cool to mess around with i spose
Choice warm up idea tho.
Yeah - one of the really fun things is to try something like Blackberry Blossom (A US country style instrumental tune) on say a pointy head superstrat style thing with Floyd rose (I've got one of those cyclone el cheapos) through a marshall amp and with a wah pedal and big muff pi - you'd think it would just become one big roar but no - the pointy ones are good at separating notes out - and the dive bombing is fun.
You can also tap out God Defend NZ (apart from one note) at the 12 fret if your are so inclined and it's fun trying to get squeals and pick scrapes to liven it up.
Don't forget to do some 3/4 time material to liven it up and the scottish tunes (Davie Work, Marie's Wedding) etc can be fun.
Someday I'd also like to work out a beautiful and delicate classical arrangement of Black Sabbath's little ditty 'Paranoid' as well - with a classical opera singer trilling etc.
You can also tap out God Defend NZ (apart from one note) at the 12 fret if your are so inclined and it's fun trying to get squeals and pick scrapes to liven it up.
Don't forget to do some 3/4 time material to liven it up and the scottish tunes (Davie Work, Marie's Wedding) etc can be fun.
Someday I'd also like to work out a beautiful and delicate classical arrangement of Black Sabbath's little ditty 'Paranoid' as well - with a classical opera singer trilling etc.
You can't do THAT on stage!